Is a dangerous message being sent to weight-obsessed teens?" Harper's Bazaar tried to explain that the waif look was a natural reaction to the ultravoluptuous and muscular "Glamazon" models of the 1980s, but posters depicting Moss continued to be defaced with graffiti saying "Feed Me!" She was on the cover of People with a headline, "Skin and Bones." According to the text, " Supermodel Kate Moss is the ultrathin symbol of the underfed waif. Although she appealed to many of Calvin Klein's younger customers, Kate Moss was also savagely criticized for being too thin and thus allegedly promoting anorexia and other eating disorders. The most controversial model of the nineties was the slender Kate Moss, who reigned as the "waif" of 1993. More unusual still was Kristen McMenamy, a jolie laide who was featured frequently during the brief fad for grunge. A tough-looking lesbian with a tattoo, Shimizu was a cult figure in fashion circles. Some, like Asian American model Jenny Shimizu, were unusual in other respects also.
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The most famous black model of the decade was Naomi Campbell, who was featured on the cover of Time magazine illustrating an article on beauty and money: "More glamorous than movie stars, the supermodels of the '90s earn spectacular loot for their spectacular looks." And they were worth it, too, because top models could "make consumers buy." Racial prejudice was much less of an issue than in the past, and a number of "ethnic" models had successful careers. The embodiment of BLOND, SEXY & LONG-LEGGED." With her long blond hair and voluptuous figure, Schiffer actually posed in Italian Vogue (July 1994) as "the real Barbie." As photographer Holge Scheibe put it, The Barbie doll was the "role model of generations of Cindys, Lindas, and Christys, In October Evangelista was featured again on the cover of British Vogue, where she "personifie(d) the fiery fifties redhead."Ĭlaudia Schiffer, Christy Turlington, and Cindy Crawford were some of the other supermodels of the decade. "Blond is glamour," stated Italian Vogue (January 1991), it is the ultimate "feminine color." Then, In 1990 Peter Lindbergh photographed a brunette Evangelista as a reincarnation of Ava Gardner, evoking "fifties glamour for the nineties." By early 1991 "la nuova Linda Evangelista" had gone short and platinum. She was a true chameleon, and every time she changed her hair color it made headlines. In particular, became the icon of a new eraīecause she seemed both contemporary and classically elegant.
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